I was really pleased to attend the inaugural
‘Women On Air’ conference this week in the magnificent surroundings of Dublin
Castle. Walking across the upper yard of
one of Dublin’s most iconic locations on a sunny morning was just stunning. As I carefully picked my way on the
cobblestones I was vaguely aware of the centuries of history that was all
around me; ghosts of the British administration
and laterally the whisperings that signified subterfuge and intrigue as Ireland
pushed for independence.
There was no subterfuge however at
the ‘Women on Air’ event which was officially opened by Minister for
Communications Pat Rabbitte, who didn’t annoy me at all with his speech. He was followed by Margaret E Ward who
outlined how ‘Women on Air’ came into being after a ‘debate’ on Twitter. I was a silent witness to that debate back in
2010 and felt a frisson of excitement when Margaret along with former radio
producer Helen McCormack decided to organise a seminar which was aimed at
providing tips and support for women who wished to go on air.
Back in 2010 I was a .... here we
go again... housewife (I HATE THAT TERM – but all others are equally grating)
buried deep in suburban Cabinteely.
However my children were 23, 11 and 9 and I was itching to get involved
back in the world of work and had decided to attempt to pursue my passion of
writing and talking! I had done a few
radio interviews before in my previous career as PRO for a national charity and
it was a medium I found very comfortable.
I also passionately wanted to hear more women’s voices and more
importantly women’s stories on air.
So taking my courage in both hands
I sent a very timid tweet to Margaret E Ward asking if it might be possible to
attend this planned seminar. It
was.
The seminar took place on Tuesday
12th of October and was held in the National Library at 6:30pm. I got there way too early and heading to the
coffee shop for a coffee while I waited.
As I sat on my own in the empty cafe the voice in my head grew louder
and louder saying “what the hell are you doing?”, “go home, you eejit, why on
earth would you consider yourself part of this?”
As I walked towards the lecture
theatre, I tried to counter the feeling of seasickness and terror. There were lots of women milling about and
they all seemed to know each other. The
voice in my head was now in a right panic.
“No-one knows you – turn around and leave before you make a show of
yourself”. I tried to keep my face
looking calm and confident as I negotiated a place to sit when I suddenly saw
one face that was familiar. I had met
writer Eleanor Fitzsimons just a week or so earlier at a book launch and we had
chatted. Thankfully she remembered me
and I clung on to her like she was a life-raft in treacherous seas.
Later that evening I met Helen
McCormack, who asked me if I would be willing to come into studio on a news
review panel on the Tom McGuirk programme, which she produced on 4FM.
So on that night four years ago, I
arrived into the city a bag of nerves, wondering what the hell I was
doing. But thanks to the support,
encouragement and faith of just three women I went home wondering if it might
actually be possible to pursue a new career in the media... or what Fiona
Looney (bless her) calls my midlife crisis media career.
Women on Air has come a long way
since October 2010 and I guess I have made some progress on the journey
too. Change is definitely in the
air. RTE Radio One seems to be leading
the charge at the moment with rising numbers of women presenting programmes
during the peak hours of 8am to 8pm.
TV3 also have managed to attain a
relatively good gender balance in their news and current affairs output – most noticeably
on Vincent Browne’s programme. Something
I think they don’t get enough credit for.
During the first session of the
Conference TV3’s Political Editor, Ursula Halligan, made the point about women
on TV being constantly made feel that they have to fit a specific body type...
young, pretty and very slim. An image,
she said, that was largely constructed by men but which was bought into by
women. Aine Lawlor referenced the
excellent documentary by Kirsty Wark, ‘Blurred Lines’ and the amount of violent
sexual threats that can be made against some women in media, something that another
panellist, journalist Una Mulally knows all about.
It struck me that both issues have
a connection to each other. Because TV
companies seem to be so reluctant to put older women or women who don’t fit the
specific ‘TV type’ on air, broadcasters are actually feeding this view that all
women must be attractive and specifically sexually attractive regardless of
their qualifications or ability. The
most obvious example of this is that of Mary Beard, the respected academic in
the UK, who received horrendous online abuse regarding appearance after a
series she made, was aired on the BBC.
Perhaps when we have more balance
in the physicality of the women we see on our screens – across body types, age
etc we will see a decrease in the amount of abuse someone like Mary Beard receives. It is much easier to bully the minority.
In broader terms we need to ensure
as more and more women make it to air that we don’t follow the men and have
airwaves that are almost entirely populated by middle class voices.
Just as the women at that very
first ‘Women On Air’ seminar were accepting of the interloper housewife from
the suburbs, as more and more of us make it to air we must ensure that we are
bringing diversity with us.
Congratulations to Caroline Erskine
– chairperson of Women On Air, Margaret E Ward and Helen McCormack the
originators of the movement and all the current committee for a wonderful
conference. Onwards and upwards sisters.
Good woman Barbara! Really great to hear your story and how WOA has helped you on your trajectory. Also lovely to meet you in person [however briefly] on Monday.
ReplyDeleteI love to read about how scared you were and still moved forward. That is what I call a hero.
ReplyDeleteGreat post Barbara. I look forward to reading about your next adventure!!.
ReplyDeleteGood point about middle class women,if you hear a working class accent, they all look haggered.
ReplyDelete